This year's awarding jury at the International Competition for film music will be presided by the actor and director
Giancarlo Giannini. The award is dedicated to the composer
Mario Nascimbene and promoted for the fifth time by "MusicArte International" in cooperation with the local administration of Orsogna (Chieti). The manager and composer
Andrea Mascitti is the organiser and art director.
Gian Luigi Rondi (president of the "David di Donatello Association's) is the president of honour.
The final performance will take place on 10 June 2006 the "Camillo De Nardis" theatre of Orsogna. Part of the jury will be composed by the composer
Silvio Feliciani, Riccardo Giagni (the latter being the music writer of Marco Bellocchio's last two films
L'ora di religione and Buongiorno notte),
Remo Vinciguerra and Caterina Nascimbene, member of the David di Donatello Association's Jury.
The competition is open to composers of all nationalities. The deadline to submit application is 3th May 2006. The partecipation fee is 65 euros. The partecipants are asked to prepare an unpublished piece of music for some scenes, lasting about five minutes, taken from Robert Rossen film
ALEXANDER THE GREAT, for which Nascimbene wrothe the soundtrack.
The Selecting Jury, made up of the president Silvio
Feliciani, Caterina Nascimbene and Remo
Vinciguerra, will examine and select five of the received compositions, which will take part in the final performance. The best composition will be awarded the MARIO NASCIMBENE AWARD. The winner will be recommended to the film production corporation and will receive
scholarship of 2,500 euros. |
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 Giannini attended Rome’s Academy of Dramatic Arts. In the theatre, he came to prominence working with Giuseppe Patroni Griffi in 1963
(In memoria di una signora amica) and with Franco Zeffirelli the following year
(Romeo and Juliet). However it was only in 1967 that he became a popular figure, playing the lead role in the TV version of “David Copperfield”, adapted from the Charles Dickens novel by Anton Giulio Majano. On the big screen, he made a name for himself with
Drama of jealousy (Dramma della gelosia, tutti i particolari in
cronaca) (1970) by Ettore Scola, where he began to outline that high-voltage, mercurial sub-proletariat character that he was to successfully refine in subsequent
films...
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